More art process videos

Update, 4 new Art Process Videos mounted and uploaded. Videos that show, even in a speeded-up way, the creation of a painting… I love them. They have been influential in the past, because those created by other artists have taught me so much.

Today, I record videos for 4 reasons:

  1. To help me focus my painting time (while recording, you can’t switch tabs and mess around)
  2. To show that what I create is real – no “artificial intelligence etc.” Each painting is the result of many hours of work, and here you can see a part of that.
  3. When the work is a commission, sharing the painting process with the commissioner is unique and precious for both.
  4. Maybe there is someone, out there, for whom these videos can be useful in their journey as an artist.

Social media visibility? No. I know my videos aren’t the right kind for Instagram, Facebook or TikTok. So, often I don’t even bother to make them vertical, or short. These are full art processes, so they are horizontal and relatively long.

There are four new videos spread across the site, and also visible on my YouTube. Here they are:

1 – Daphne and Levi – 1 minute

See artwork page

2 – Unexpected encounter – 1 minute

See artwork page

3 – Legend of a sacrifice, complete process (2 minutes)

See artwork page

4 – Drow and furbolg (2 minutes)

See artwork page


Article: 16/11/2023 – Copyright 2023 Elena Greenedera Zambelli, all rights reserved #noai

Artwork update: Astral dragon

An update about a painting – still trying to perfect it, to make it “just right.” This journey toward “perfection” is 22 years old: here I reveal how this same astral dragon has changed from 2001 to today.

Draw it again!” is a personal drawing challenge that invites artists to redraw their old sketches and drawing ideas and present them side by side for comparison, showing the improvement of their skills.

2001 – Pencils

2017 – Watercolors

2023 – Digital

The original sketch, from 2001, was a practice study based on an existing painting – “Sentinel”, by Ann Marie Eastburn (1986). I was trying to understand dragon anatomy, by reproducing various existing artworks of great artists and trying my owns. I rarely used colors at the time – I could “see” my drawings in color, but I lacked the technique to color them without making a mess.

In 2017, I started painting old pencil sketches, exploring various color techniques, including watercolor and gold leaf. At the time I was trying not only to explore the world of color, but also trying to make my paintings more “textured”, to transpose the mesmerizing patterns of nature into my illustrations. This is something I still try to do today, despite the fact that I paint digitally: smooth surfaces and perfect shades aren’t for me, I like the idea that my paintings communicate an almost “tactile” sensation, as well as a visual one. I was doing experiments based on the book “Dreamscapes fantasy worlds” by Stephanie Pui-Mun Law, a great expert on fantasy art, watercolor, and texture.

Since 2020, thanks to many hours spent practicing during the COVID Lockdown, I made a qualitative leap in my digital technique. In 2023, I felt confident enough to redraw the same subject and paint it. The “Dragonary challenge” called by artist Mattew Stawicki was the perfect occasion to try again with my astral dragon. After publication in January 2023, I retouched it other 2 times. And… I don’t think this journey is over yet.

Full artwork page:

Astral aurora dragon

A new dragon painting. As light as the soul and as incorporeal as thought, the astral dragon inhabits the intangible spheres of reality midway between the material world and that of pure energy.

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Copyright “Astral aurora dragon” 2023 Elena Greenedera Zambelli, all rights reserved #noai

Award-winning podcast: Echoes of Krynn

🏆🎤 I’m happy to share the news: the D&D podcast “Echoes of Krynn” by Lawful Stupid RPG – whose characters I had the pleasure of illustrating – won the gold prize in the Signal Award 2023!

“The Judges voted and the Echoes of Krynn podcast is a GOLD WINNER in the Signal Awards for General-Gaming & Actual Play!” – EOK


How about prints?

📸🎪 Some pictures from Echoes of Krynn at the SC Comicon Jr – Greenville, Oct 29th (US) – Lovely to see the prints of my paintings on display there. In the first picture, MEDM, the Dungeon Master!


Artwork page:

Article: 2023, Elena “Greenedera” Zambelli

Interview – FB “Sages of Dragonlance”

In 2020, Margaret Weis shared my “Dalamar – Branded” painting, the Dragonlance Fandom discovered my art. After a few weeks, the admin of the Facebook Group “Sages of Dragonlance” asked for a small interview with me.

This article was published on the Facebook group “Sages of Dragonlance“, on August 26, 2020. Click here for the original post.

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M O N T H L Y M E M B E R S P O T L I G H T
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Every month, the DragonLance Book Reading Club wants to focus on one of our members who is creative in the arts, such as an author, artist or musician, and let you all know about the great people we have here. If you want to be featured here, PM me and tell me about your creativity. This month we are aiming the spotlight on member and group moderator Elena Zambelli who is an artist and musician. And here is our interview:

What, about DragonLance, separates it from other fantasy fiction?

In my opinion, the fact that DL was a game made it possible for many people to “live” the setting and the adventures in a more personal way. The world is incredibly vast and detailed, giving people many reading materials endless possibilities to roleplay. For me, however, it was just all about one character. Raistlin. I was 14 when I met him, and he was just what I needed to face the world.

I know you like the mages in the black robes, so excluding them, who in the world of Krynn would you like to have lunch with?

“Tasslehoff. We could snatch something around the market and have a picnic before the guards find us.

Why don’t you tell us a little about yourself?

“I live in Italy, and I have three cats. I work as a graphic designer, I graduated in natural sciences, and I play some instruments (I studied clarinet many years, while I’m self-taught in piano, flute, Celtic harp) and love to paint: watercolor, pencil, acrylics and digital. I play videogames like TES; I read tons of fantasy books, I ride a motorcycle.

On your DeviantArt account, you mentioned ‘Something Clicked.’ It’s undeniable. Margaret Weis noticed your art. What was that like?

It was a surprise, and when it happened, it was like a dream come true. I respect Margaret Weis and… to be able to “connect” with her after 20 years of admiring her through her books was genuinely fantastic. And, of course, I’m happy she liked my paintings. She is very kind.

In the DragonLance fandom, your recent pieces starting with “Tasslehoff pickpockets Lord Soth” have been on our radar. What I love about your art is that it tells a story and is more than just a picture of a mage or dragon or whatever. How much does that influence what you do?

Art is an essential way of expression for me. There is something behind every drawing: a story in my mind, a request of a friend, a cryptic representation of my emotions, a dream, an inspiration born in a precise moment of my life. I like paintings to tell stories.

Who is your favorite big-name artist, and what is it about their work that works that appeals to you?

“In my artistic pantheon, there are many gods. Larry Elmore and Keith Parkinson’s work introduced me to fantasy art; Michael Whelan opened my mind; Todd Lockwood and Matt Stawicki are incredibly good and epic. Stephanie Pui Mun Law influenced my watercolors, and her books were useful to understand how to ‘listen’ to creativity. Above all, the ultimate god, the multitasking genius, Leonardo Da Vinci. His book ‘De pictura’ helped me analyze reality to draw it.

Besides DragonLance, what fantasy titles/authors inspire you?

I’m utterly in love with Brandon Sanderson since I discovered his work. He’s THE epic author. Even if, sadly, there is no Raistlin in his books. Then Robin Hobb and Marion Zimmer Bradley. All these authors have in common a thing: they go inside the head of the characters: the story isn’t just about the events, but about the internal struggle of the people, too.

Is there a question I should have asked but didn’t? Please tell me what the question should have been and answer it here.

I don’t know. I’ll add something random.

Dalamar

Other than Raistlin and Tasslehoff, I love Dalamar. There are so many “What ifs” in my head about the events of Legends of the Lances.

Fanart

I love and encourage fan artworks about Dragonlance because they are the means with which this fandom continues to live and evolve: fanart, fan music, and fanfiction add material often so excellent that sometimes I must stop and remember it’s not “Canon.”

The” Musical

I’m a big (BIG) fan of “The last trial,” the “DragonLance” Russian musical. I’m part of the “Krynnsub” group working at its “singable” translation in English and made with others the Italian subtitles for the official YouTube video. I went all the way to Moscow to watch it live, and it was a dream come true.

What masterpieces do you have on the horizon? Besides my latest commission, which I am very excited about!

“No masterpieces, just fanart at my best. I’m currently working on (the secret project/commission, a portrait of multiple characters). Then I’m working on: a Raistlin + Bupu scene; a Raistlin scene from “Spring Dawning;” some illustrations about fanfictions; and a short “comic/meme” featuring Takhisis. After that, I have other old sketches (and new ideas, probably) waiting for me. A Fizban, a Laurana, a Raistlin+Caramon scene, other Raistlin and/or Dalamar artworks. We’ll see.

Thank you for the interview and for reading it.

Interviewer notes. One thing I should have asked and completely forgot was to touch base on Ms. Zambelli’s bilingualism. Italian is her native language. She self taught herself English (armed with and English-Italian dictionary) because she couldn’t wait for an Italian translation of Dragons of a Fallen Sun. To me that is just mind blowing.

Thank you for taking the time to participate in the interview.

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Article published on the Facebook group “Sages of Dragonlance”, on August 26, 2020.

New artwork: Selkie

🎨 14/09/2023 New painting of a lovely Selkie, a mythological creature that can shapeshift between seal and human forms by removing or putting on their seal skin. Commission portrait for a selkie character of a private roleplaying campaign. Check the artwork page!

🎨💦🧜‍♀️ Selkie

If you’re interested in prints, just let me know.

Created on: 12/09/2023 – Copyright 2023 Elena Greenedera Zambelli, all rights reserved #noai

Artwork update: dragons

05/09/2023 – A bunch of dragon paintings uploaded on my website! January 2023 was an intense moment, and I had not yet the time and the occasion to properly upload the flock of dragons that spawned from the Dragonary challenge.

🌕 The Golden Hoarder, 🍄 Grand Mushroom Dragon, 🔥 Fairy fire dragon, 📜 Medieval dragon, 🌊 Indigo sea serpent, 💧 Skerry reef drake, 🦄 Beware of my dragon friend, 🌄 Grumpy sentinel, 🍃 I believe I can fly, 🌀 Flaming amphiptere, 🐟 The coral wyrm, 🦋 Butterfly dragon, 🌺 Queen of the pond, 🌋 Magma dragon.

In each dragon page, their story and work in progress pics. Soon, more to come!

If you’re interested in prints, just let me know and I will set them.

New artwork – Production time vs Publication time

New artwork update:

Yes, I’m still here.

The contemporary age, internet, social media and everything in between, imply the need for constant updates (well, even normal relationships between people, actually 😅.) Yet, it is known, from time to time artists disappear off the face of the earth. Then, suddenly, they come back and dump a bunch of new creations.
Obviously, I too fall into this category… in the last few months I have accumulated a series of new paintings: some I can already publish, while for others it is necessary to wait for specific dates agreed with the people I work with: you can see some sneak peeks, at times, in my IG and FB stories.
Today I share 4 new paintings – then, there are other 7 in my “secret stack,” plus other 3 “work in progress”. Be patient, subscribe to web updates, and you will discover them in the next months: I can’t wait to share them with you.

New artwork: Raistlin’s shadow

🎨 For yet another year, a painting in occasion of Raistlin Majere’s birthday.

Raistlin’s shadow

My new digital painting of Raistlin Majere, from the Dragonlance fandom. A speedpainting started with pencil, and finished on photoshop and Wacom cintiq in less than 3 hours. I wanted to keep it a bit rough, and enhance how the dark mage seems to be one with…

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Artwork created on 17/06/2023 – Copyright Elena Zambelli “Greenedera” #noai

New artwork: Lord Ariakas

🎨 Hello, still catching up with the publication of my paintings! This one was fun; created between April and May, it gave me the occasion to challenge myself with the depiction of a character I had never tried before: Lord Ariakas.

Lord Ariakas

🎨 My new digital painting of Ariakas, champion of Takhisis and Emperor of Ansalon during the War of the Lance. Commission for F.N., as a personal handout for a game campaign. “He was described as being tall of stature and possessing an impressive muscular physique. A physically…

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Artwork created on 15/05/2023 – Copyright Elena Zambelli “Greenedera” #noai