New paintings: “dragonary 2024”

The year started with 7 new dragons! Check each of them on my website by clicking this article. ๐ŸŽจ๐Ÿฒ

This is now the third year I have participated in Matt Stawicki’sโ€‚”Dragonary challenge”, an opportunity to spend a month drawing dragons.
โ€œBut couldn’t you draw them any time of the year?โ€ you might ask me.
Yes, and sometimes I do, but other times a kick in the butt (in this case, the decision to commit to the challenge) is what is needed to overcome laziness, distraction, or having a thousand new ideas and then not following them through. Or artblock.

Last year I found the strength to draw 31 new dragons (really, I don’t know how I did it), but this year I decided to focus on 7, thus dedicating a little time every day to the four main phases of creating my paintings: 1) sketch 2) lineart 3) creation of flat shapes 4) painting and rendering. Specifically, since there were no prompts from Matt Stawicki this year, I used this opportunity to “draw again” some of my (very) old dragon sketches. Comparing the old and the new gave me a lot of satisfaction.

Forcing myself to draw these seven dragons helped me restart after a period of (more or less forced) break from painting. In the meantime I have started working on several new projects again, which I hope to share soon.

Click on each dragon to discover more:

More:

One of the “extra projects” that I love the most is an expansion and retouching work for a dragon created last year, and that I love very much: the Grumpy sentinel now has a horizontal format, perfect as a desktop wallpaper, and a finishing softer for rendering lights.

Article written on 03/01/2024 โ€“ No unauthorized reproduction. โ€“ Elena Greenedera Zambelli #noai

A summary for a 2023 of art

โŒ› In the picture: “Art vs artist 2023” – a way to stop and look back, take stock of a past year.

๐Ÿ“˜ A year with some noteworthy satisfactions, the publication of several publications with my illustrations: Autumn twilight, Shadow of the black rose, The journals of Kaz the Minotaur: the lost colony were released with the Dragonlance Nexus – the latter with the famous writer Richard Knaak. More illustrations for projects to be published next year.

๐Ÿค Various private commissions, often full beautiful collaborations with people that opened for me doors to their cherised, secret worlds.

๐ŸŽจ Few “personal” illustrations or in general creations – as often happens, sometimes a pencil sketch is enough for me to express what’s on my mind – and, who knows, maybe one day I’ll go back to expressing myself more.

๐ŸŽญA difficult year from a health point of view, which started badly and ended badly; a year in which art was a crutch to move forward and lose myself in a world where things can go the way I want.

๐Ÿ’ป A year in which I worked hard on my private website: a collection of my latest paintings in a place where I can take all the space I want to tell, as well as show, each painting – a private space outside of the big platforms like Deviantart and Artstation, which from my point of view they betrayed the world of artists, making all the contents available to the big AI companies when few still knew what was happening, so that Ai generated images suffocated the space meant for art created by humans.

Thank you, reader, for sharing this art journey with me.

New: Kaz the minotaur โ€“ Dragonlance Nexus

๐Ÿฎ Artwork reveal: Kaz the minotaur and Delbin the Kender (Dragonlance fandom) sailing their ship towards new adventure. Commissioned by the Dragonlance Nexus as internal illustration for the adventure manual โ€œThe Journals of Kaz the Minotaur โ€“ The lost colonyโ€ featuring a novel by Richard Knaak and a D&D 5th ed adventure. Other illustrations will be revealed in the next days, stay tuned!

๐ŸŽจ Click here for info about the manual

Check the 6 paintings of this series

15 december 2023, Elena Zambelli – #noai

More art process videos

Update, 4 new Art Process Videos mounted and uploaded. Videos that show, even in a speeded-up way, the creation of a painting… I love them. They have been influential in the past, because those created by other artists have taught me so much.

Today, I record videos for 4 reasons:

  1. To help me focus my painting time (while recording, you can’t switch tabs and mess around)
  2. To show that what I create is real – no “artificial intelligence etc.” Each painting is the result of many hours of work, and here you can see a part of that.
  3. When the work is a commission, sharing the painting process with the commissioner is unique and precious for both.
  4. Maybe there is someone, out there, for whom these videos can be useful in their journey as an artist.

Social media visibility? No. I know my videos aren’t the right kind for Instagram, Facebook or TikTok. So, often I don’t even bother to make them vertical, or short. These are full art processes, so they are horizontal and relatively long.

There are four new videos spread across the site, and also visible on my YouTube. Here they are:

1 – Daphne and Levi – 1 minute

See artwork page

2 – Unexpected encounter – 1 minute

See artwork page

3 – Legend of a sacrifice, complete process (2 minutes)

See artwork page

4 – Drow and furbolg (2 minutes)

See artwork page


Article: 16/11/2023 – Copyright 2023 Elena Greenedera Zambelli, all rights reserved #noai

Artwork update: Astral dragon

An update about a painting – still trying to perfect it, to make it “just right.” This journey toward “perfection” is 22 years old: here I reveal how this same astral dragon has changed from 2001 to today.

โ€œDraw it again!โ€ is a personal drawing challenge that invites artists to redraw their old sketches and drawing ideas and present them side by side for comparison, showing the improvement of their skills.

2001 – Pencils

2017 – Watercolors

2023 – Digital

The original sketch, from 2001, was a practice study based on an existing painting – โ€œSentinelโ€, by Ann Marie Eastburn (1986). I was trying to understand dragon anatomy, by reproducing various existing artworks of great artists and trying my owns. I rarely used colors at the time – I could “see” my drawings in color, but I lacked the technique to color them without making a mess.

In 2017, I started painting old pencil sketches, exploring various color techniques, including watercolor and gold leaf. At the time I was trying not only to explore the world of color, but also trying to make my paintings more “textured”, to transpose the mesmerizing patterns of nature into my illustrations. This is something I still try to do today, despite the fact that I paint digitally: smooth surfaces and perfect shades aren’t for me, I like the idea that my paintings communicate an almost “tactile” sensation, as well as a visual one. I was doing experiments based on the book “Dreamscapes fantasy worlds” by Stephanie Pui-Mun Law, a great expert on fantasy art, watercolor, and texture.

Since 2020, thanks to many hours spent practicing during the COVID Lockdown, I made a qualitative leap in my digital technique. In 2023, I felt confident enough to redraw the same subject and paint it. The “Dragonary challenge” called by artist Mattew Stawicki was the perfect occasion to try again with my astral dragon. After publication in January 2023, I retouched it other 2 times. Andโ€ฆ I don’t think this journey is over yet.

Full artwork page:

Astral aurora dragon

A new dragon painting. As light as the soul and as incorporeal as thought, the astral dragon inhabits the intangible spheres of reality midway between the material world and that of pure energy.

Keep reading

Copyright โ€œAstral aurora dragonโ€ 2023 Elena Greenedera Zambelli, all rights reserved #noai

Award-winning podcast: Echoes of Krynn

๐Ÿ†๐ŸŽค I’m happy to share the news: the D&D podcast “Echoes of Krynn” by Lawful Stupid RPG – whose characters I had the pleasure of illustrating – won the gold prize in the Signal Award 2023!

“The Judges voted and the Echoes of Krynn podcast is a GOLD WINNER in the Signal Awards for General-Gaming & Actual Play!” – EOK


How about prints?

๐Ÿ“ธ๐ŸŽช Some pictures from Echoes of Krynn at the SC Comicon Jr – Greenville, Oct 29th (US) – Lovely to see the prints of my paintings on display there. In the first picture, MEDM, the Dungeon Master!


Artwork page:

Article: 2023, Elena “Greenedera” Zambelli

Interview – FB “Sages of Dragonlance”

In 2020, Margaret Weis shared my “Dalamar – Branded” painting, the Dragonlance Fandom discovered my art. After a few weeks, the admin of the Facebook Group “Sages of Dragonlance” asked for a small interview with me.

This article was published on the Facebook group “Sages of Dragonlance“, on August 26, 2020. Click here for the original post.

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M O N T H L Y M E M B E R S P O T L I G H T
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Every month, the DragonLance Book Reading Club wants to focus on one of our members who is creative in the arts, such as an author, artist or musician, and let you all know about the great people we have here. If you want to be featured here, PM me and tell me about your creativity. This month we are aiming the spotlight on memberย and group moderatorย Elena Zambelliย who is an artist and musician. And here is our interview:

What, about DragonLance, separates it from other fantasy fiction?

In my opinion, the fact that DL was a game made it possible for many people to “live” the setting and the adventures in a more personal way. The world is incredibly vast and detailed, giving people many reading materials endless possibilities to roleplay. For me, however, it was just all about one character. Raistlin. I was 14 when I met him, and he was just what I needed to face the world.

I know you like the mages in the black robes, so excluding them, who in the world of Krynn would you like to have lunch with?

“Tasslehoff. We could snatch something around the market and have a picnic before the guards find us.

Why don’t you tell us a little about yourself?

“I live in Italy, and I have three cats. I work as a graphic designer, I graduated in natural sciences, and I play some instruments (I studied clarinet many years, while I’m self-taught in piano, flute, Celtic harp) and love to paint: watercolor, pencil, acrylics and digital. I play videogames like TES; I read tons of fantasy books, I ride a motorcycle.

On your DeviantArt account, you mentioned ‘Something Clicked.’ It’s undeniable. Margaret Weis noticed your art. What was that like?

It was a surprise, and when it happened, it was like a dream come true. I respect Margaret Weis and… to be able to “connect” with her after 20 years of admiring her through her books was genuinely fantastic. And, of course, I’m happy she liked my paintings. She is very kind.

In the DragonLance fandom, your recent pieces starting with “Tasslehoff pickpockets Lord Soth” have been on our radar. What I love about your art is that it tells a story and is more than just a picture of a mage or dragon or whatever. How much does that influence what you do?

Art is an essential way of expression for me. There is something behind every drawing: a story in my mind, a request of a friend, a cryptic representation of my emotions, a dream, an inspiration born in a precise moment of my life. I like paintings to tell stories.

Who is your favorite big-name artist, and what is it about their work that works that appeals to you?

“In my artistic pantheon, there are many gods. Larry Elmore and Keith Parkinson’s work introduced me to fantasy art; Michael Whelan opened my mind; Todd Lockwood and Matt Stawicki are incredibly good and epic. Stephanie Pui Mun Law influenced my watercolors, and her books were useful to understand how to ‘listen’ to creativity. Above all, the ultimate god, the multitasking genius, Leonardo Da Vinci. His book ‘De pictura’ helped me analyze reality to draw it.

Besides DragonLance, what fantasy titles/authors inspire you?

I’m utterly in love with Brandon Sanderson since I discovered his work. He’s THE epic author. Even if, sadly, there is no Raistlin in his books. Then Robin Hobb and Marion Zimmer Bradley. All these authors have in common a thing: they go inside the head of the characters: the story isn’t just about the events, but about the internal struggle of the people, too.

Is there a question I should have asked but didn’t? Please tell me what the question should have been and answer it here.

I don’t know. I’ll add something random.

Dalamar

Other than Raistlin and Tasslehoff, I love Dalamar. There are so many “What ifs” in my head about the events of Legends of the Lances.

Fanart

I love and encourage fan artworks about Dragonlance because they are the means with which this fandom continues to live and evolve: fanart, fan music, and fanfiction add material often so excellent that sometimes I must stop and remember it’s not “Canon.”

The” Musical

I’m a big (BIG) fan of “The last trial,” the “DragonLance” Russian musical. I’m part of the “Krynnsub” group working at its “singable” translation in English and made with others the Italian subtitles for the official YouTube video. I went all the way to Moscow to watch it live, and it was a dream come true.

What masterpieces do you have on the horizon? Besides my latest commission, which I am very excited about!

“No masterpieces, just fanart at my best. I’m currently working on (the secret project/commission, a portrait of multiple characters). Then I’m working on: a Raistlin + Bupu scene; a Raistlin scene from “Spring Dawning;” some illustrations about fanfictions; and a short “comic/meme” featuring Takhisis. After that, I have other old sketches (and new ideas, probably) waiting for me. A Fizban, a Laurana, a Raistlin+Caramon scene, other Raistlin and/or Dalamar artworks. We’ll see.

Thank you for the interview and for reading it.

Interviewer notes. One thing I should have asked and completely forgot was to touch base on Ms. Zambelli’s bilingualism. Italian is her native language. She self taught herself English (armed with and English-Italian dictionary) because she couldn’t wait for an Italian translation of Dragons of a Fallen Sun. To me that is just mind blowing.

Thank you for taking the time to participate in the interview.

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Article published on the Facebook group “Sages of Dragonlance”, on August 26, 2020.

New artwork: Selkie

๐ŸŽจ 14/09/2023 New painting of a lovely Selkie, a mythological creature that can shapeshift between seal and human forms by removing or putting on their seal skin. Commission portrait for a selkie character of a private roleplaying campaign. Check the artwork page!

๐ŸŽจ๐Ÿ’ฆ๐Ÿงœโ€โ™€๏ธ Selkie

If you’re interested in prints, just let me know.

Created on: 12/09/2023 – Copyright 2023 Elena Greenedera Zambelli, all rights reserved #noai

Artwork update: dragons

05/09/2023 – A bunch of dragon paintings uploaded on my website! January 2023 was an intense moment, and I had not yet the time and the occasion to properly upload the flock of dragons that spawned from the Dragonary challenge.

๐ŸŒ• The Golden Hoarder, ๐Ÿ„ Grand Mushroom Dragon, ๐Ÿ”ฅ Fairy fire dragon, ๐Ÿ“œ Medieval dragon, ๐ŸŒŠ Indigo sea serpent, ๐Ÿ’ง Skerry reef drake, ๐Ÿฆ„ Beware of my dragon friend, ๐ŸŒ„ Grumpy sentinel, ๐Ÿƒ I believe I can fly, ๐ŸŒ€ Flaming amphiptere, ๐ŸŸ The coral wyrm, ๐Ÿฆ‹ Butterfly dragon, ๐ŸŒบ Queen of the pond, ๐ŸŒ‹ Magma dragon.

In each dragon page, their story and work in progress pics. Soon, more to come!

If you’re interested in prints, just let me know and I will set them.