Art VS Artist 2025

A wasted year, a journey through the fog. I had the time, but I didn’t have the mind. Emotions in turmoil, stress, and problems, and here we are, very few paintings to remember this 2025. But oh, for certain I’m not likely to forget them.

What is “art VS artist”? This excerpt from Forbes says:

“[…] In addition to helping promote artwork, #ArtvsArtist humanizes creators reminding us that artists are people too. The plethora of creative work available online can cause us to forget the people producing it. “People seem to think art accounts are just run by robots, not actual people trying to hone their craft,” concept artist, Yoshi Yoshitani says. Dehumanizing creators can encourage theft of art […]”

Blog post – February 6, 2026 – Greenedera #noAI

The other side of dawn

A painting, a final memento of a brief but meaningful journey together. During 2025, I struggled to listen to my art—I listened and heard only silence, or the call of distractions. I accepted very few requests, and only from people I cared deeply about. One of these was Anomalous Thracian, with whom I worked for three years. So many paintings, so many ideas, so many stories.
It can all end so quickly.
I didn’t know it, yet I was desperate to finish this painting without wasting too much time. And so this painting was finished, and just in time, you might say. Thracian loved it; he framed it and showed me a picture just before the end. I will hardly ever forget this painting.
Go, Ardrael, sea elf, heroine and warrior, aboard your ship. We’ll see each other on the other side of the dawn.

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Art VS artist: 2024

2024 has been a seemingly quiet year, but sprinkled with art nonetheless. I have had little energy to dedicate to posting on web and social media, so there are several finished works just sitting on my desk. There are paintings I have created for myself, others commissioned and published, some awaiting release. There are countless sketches that dot my notebooks, waiting to be developed. I am still in energy saving mode, and my good intentions for this year are to get back into gear with the creation of new paintings. And their publication 😅

Thank you, reader, for sharing this art journey with me.

Nightshade, a tool against AI scraping

Nightshade is a new tool artists can employ to disrupt AI Models. This is important – since Ai models cannot “forget” they ate copyrighted material even though the owners of said stuff ask for removal, well… let’s give the models something bad to eat. Something that will corrupt the data already inside. Guten appetit, stronzi.

“More precisely, Nightshade transforms images into “poison” samples, so that models training on them without consent will see their models learn unpredictable behaviors that deviate from expected norms, e.g. a prompt that asks for an image of a cow flying in space might instead get an image of a handbag floating in space.” (from What is nightshade, https://nightshade.cs.uchicago.edu)

💚 Congratulations to all the researchers and artists who worked on this tool.

This said, right now Nightshade is available only for powerful desktop devices, but soon will be available via Browser. Most interesting, in fact, is Web Glaze, allowing artists to glaze their images even if they’re unable to install Glaze.

How can I help support Nightshade and Glaze?
Thank you so much for thinking of us. It is important to us that we not only continue to provide Glaze to visual creators for free, but also extend its protective capabilities. If you or your organization may be interested in pitching in to support and advance our work, please contact our colleague Joshua Leavitt to learn more about gift opportunities for Glaze (managed by the University of Chicago campus offices).”
(from FAQ, https://nightshade.cs.uchicago.edu)

Other than this, please support the project by following it on:
X/Twitter: @TheGlazeProject IG: theglazeproject

Article written on 12/02/2024 – Elena Greenedera Zambelli #noai

A summary for a 2023 of art

⌛ In the picture: “Art vs artist 2023” – a way to stop and look back, take stock of a past year.

📘 A year with some noteworthy satisfactions, the publication of several publications with my illustrations: Autumn twilight, Shadow of the black rose, The journals of Kaz the Minotaur: the lost colony were released with the Dragonlance Nexus – the latter with the famous writer Richard Knaak. More illustrations for projects to be published next year.

🤝 Various private commissions, often full beautiful collaborations with people that opened for me doors to their cherised, secret worlds.

🎨 Few “personal” illustrations or in general creations – as often happens, sometimes a pencil sketch is enough for me to express what’s on my mind – and, who knows, maybe one day I’ll go back to expressing myself more.

🎭A difficult year from a health point of view, which started badly and ended badly; a year in which art was a crutch to move forward and lose myself in a world where things can go the way I want.

💻 A year in which I worked hard on my private website: a collection of my latest paintings in a place where I can take all the space I want to tell, as well as show, each painting – a private space outside of the big platforms like Deviantart and Artstation, which from my point of view they betrayed the world of artists, making all the contents available to the big AI companies when few still knew what was happening, so that Ai generated images suffocated the space meant for art created by humans.

Thank you, reader, for sharing this art journey with me.

New: Kaz the minotaur – Dragonlance Nexus

🐮 Artwork reveal: Kaz the minotaur and Delbin the Kender (Dragonlance fandom) sailing their ship towards new adventure. Commissioned by the Dragonlance Nexus as internal illustration for the adventure manual “The Journals of Kaz the Minotaur – The lost colony” featuring a novel by Richard Knaak and a D&D 5th ed adventure. Other illustrations will be revealed in the next days, stay tuned!

🎨 Click here for info about the manual

Check the 6 paintings of this series

15 december 2023, Elena Zambelli – #noai

More art process videos

Update, 4 new Art Process Videos mounted and uploaded. Videos that show, even in a speeded-up way, the creation of a painting… I love them. They have been influential in the past, because those created by other artists have taught me so much.

Today, I record videos for 4 reasons:

  1. To help me focus my painting time (while recording, you can’t switch tabs and mess around)
  2. To show that what I create is real – no “artificial intelligence etc.” Each painting is the result of many hours of work, and here you can see a part of that.
  3. When the work is a commission, sharing the painting process with the commissioner is unique and precious for both.
  4. Maybe there is someone, out there, for whom these videos can be useful in their journey as an artist.

Social media visibility? No. I know my videos aren’t the right kind for Instagram, Facebook or TikTok. So, often I don’t even bother to make them vertical, or short. These are full art processes, so they are horizontal and relatively long.

There are four new videos spread across the site, and also visible on my YouTube. Here they are:

1 – Daphne and Levi – 1 minute

See artwork page

2 – Unexpected encounter – 1 minute

See artwork page

3 – Legend of a sacrifice, complete process (2 minutes)

See artwork page

4 – Drow and furbolg (2 minutes)

See artwork page


Article: 16/11/2023 – Copyright 2023 Elena Greenedera Zambelli, all rights reserved #noai

Artwork update: Astral dragon

An update about a painting – still trying to perfect it, to make it “just right.” This journey toward “perfection” is 22 years old: here I reveal how this same astral dragon has changed from 2001 to today.

Draw it again!” is a personal drawing challenge that invites artists to redraw their old sketches and drawing ideas and present them side by side for comparison, showing the improvement of their skills.

2001 – Pencils

2017 – Watercolors

2023 – Digital

The original sketch, from 2001, was a practice study based on an existing painting – “Sentinel”, by Ann Marie Eastburn (1986). I was trying to understand dragon anatomy, by reproducing various existing artworks of great artists and trying my owns. I rarely used colors at the time – I could “see” my drawings in color, but I lacked the technique to color them without making a mess.

In 2017, I started painting old pencil sketches, exploring various color techniques, including watercolor and gold leaf. At the time I was trying not only to explore the world of color, but also trying to make my paintings more “textured”, to transpose the mesmerizing patterns of nature into my illustrations. This is something I still try to do today, despite the fact that I paint digitally: smooth surfaces and perfect shades aren’t for me, I like the idea that my paintings communicate an almost “tactile” sensation, as well as a visual one. I was doing experiments based on the book “Dreamscapes fantasy worlds” by Stephanie Pui-Mun Law, a great expert on fantasy art, watercolor, and texture.

Since 2020, thanks to many hours spent practicing during the COVID Lockdown, I made a qualitative leap in my digital technique. In 2023, I felt confident enough to redraw the same subject and paint it. The “Dragonary challenge” called by artist Mattew Stawicki was the perfect occasion to try again with my astral dragon. After publication in January 2023, I retouched it other 2 times. And… I don’t think this journey is over yet.

Full artwork page:

Astral aurora dragon

A new dragon painting. As light as the soul and as incorporeal as thought, the astral dragon inhabits the intangible spheres of reality midway between the material world and that of pure energy.

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Copyright “Astral aurora dragon” 2023 Elena Greenedera Zambelli, all rights reserved #noai

Award-winning podcast: Echoes of Krynn

🏆🎤 I’m happy to share the news: the D&D podcast “Echoes of Krynn” by Lawful Stupid RPG – whose characters I had the pleasure of illustrating – won the gold prize in the Signal Award 2023!

“The Judges voted and the Echoes of Krynn podcast is a GOLD WINNER in the Signal Awards for General-Gaming & Actual Play!” – EOK


How about prints?

📸🎪 Some pictures from Echoes of Krynn at the SC Comicon Jr – Greenville, Oct 29th (US) – Lovely to see the prints of my paintings on display there. In the first picture, MEDM, the Dungeon Master!


Artwork page:

Article: 2023, Elena “Greenedera” Zambelli

Artwork update: “The Chase” – GreedFall fanart

New artwork update: a kissing scene set in the GreedFall fandom. An original character, Pheobe De Sardet, and a canon character, Vasco of the Nauts. Commission.